‘My PhD research examines whether the form of the Teleorama, or paper peep show, can be used to generate new ways of making and exhibiting drawings of contemporary sites of ruination. The Teleorama is used as a physical and conceptual vehicle for testing out a diverse range of investigations relating to form and content in drawing practice. Through exploring and analysing historical devices, I propose the uniqueness of the Teleorama as a form that enables the representation of multiple spaces and times, offering a unique ‘viewing experience’. I foreground its unique ability represent the apparent collapse of space and time in a material form, and to enable an oscillation between two- and three-dimensional design and construction.  Through the concept of Scaling, I propose that the Teleorama reveals itself as a foundation from which to design immersive, drawn installations that explore the spaces of modern ruins. I propose the Teleorama as a form that allows for perceptual and spatial immersion, providing a unique experience to the viewer of sites that they have never visited. Through interrogating and reconfiguring the historical form of the Teleorama I aim to propose new models of installation practice within the field of contemporary drawing.’